Pride and Prejudice

Filipe Manuel Neto

10/10

1/20/2023

**Look no further, in film or TV: this is, so far, the best adaptation of "Pride and Prejudice".** Whenever a film or television production decides to make a period production, it will always have two major challenges ahead. The first is, obviously, the result of any and all production. The second is the recreation of the historical period, not only in objects, clothes and environments, but mainly in the manners, mentality and habits of those people, of that time, of that culture. That's what historical consultancies are for, and it's an effort that should never be overlooked. This miniseries was very successful in all these efforts, and for me, it constitutes the best and most reliable audiovisual adaptation of Jane Austen's masterpiece, a narrative that even those who have never read the original book know perfectly, and which must be one of the most widespread novels in English literature. It is the adaptation where, in addition to having the correct settings and the correct costumes for the time and context, we also have the behaviors and mannerisms that those people, in fact, would have had if they had really existed. And besides, we have an enormous respect and consideration for the written work. There are several actors who deserve frankly positive attention here: despite being incredibly annoying with her high voice and her tantrums, Alison Steadman gave the Bennet family matriarch a genuine motherly sweetness and affection. Benjamin Whitrow was also very happy in his portrayal of Mr. Bennet, with his more moderate and compromising posture. Jennifer Ehle is very good in the lead role, and Colin Firth is Darcy par excellence (it is no coincidence that the role marked his career so deeply). There are still good supporting performances, coming mainly from Anna Chancellor, Julia Sawalha and Barbara Leigh-Hunt. Divided into six episodes of about an hour, the series makes good use of the written material and gives the various events the right time to develop. The direction, ensured by Simon Langton, was quite happy with the way he organized all of this, and gave the right pace to the series, without giving in to the temptation to lengthen things excessively in favor of two or three more episodes. The sets, props and costumes couldn't be better or more appropriate than they are, the recreation of the era is really impeccable. The soundtrack is good, although I didn't particularly like the opening theme.