Face/Off

r96sk

9/10

10/18/2020

A quality all-out action film! <em>'Face/Off'</em> isn't one that'll stick out in my memory as something deep meaning, incredibly written or anything of the sort. However, as an action film it's superb. There's barely a chance to rethink what you've just seen due to the prevalent and manic nature of onscreen events. You also have fascinating performances from the two leads. Nicolas Cage and John Travolta are awesome in this. I won't spoil the plot, but all I will say is that those two bring it to life brilliantly - it felt, at least to me, very believable; which is impressive. Across the opening portion I thought it was going to be Cage stealing the show, but as things progress Travolta really comes up big to match Cage. Away from NC and JT, there isn't really anything to scream about cast-wise; although, I gotta give shoutouts to Mike Delfino and Gavin Harris; if you know, you know. Nothing much more to note, to be honest. The terrific action means I'd highly recommend this.

Andre Gonzales

8/10

5/15/2023

Never seen a concept for movie this way. They literally trade faces. Good versus evil and not only do they trade faces but there characters and personalities have to change as well. 2 of the best that could ever do it. John turns into Nicholas and Nicholas turns into John. I would say Nicholas Cage played it better then John Travolta did.

CinemaSerf

6/10

1/6/2026

“Troy” (Nicolas Cage) is a nasty piece of work, and his latest bombing plot has attracted the attention of FBI man “Archer” (John Travolta). Now he has some personal skin in the game, as his nemesis was responsible for the death of his young son - an event both he and wife, physician “Eve” (Joan Allen) are still coming to terms with. When they apprehend him, though, the boffins come up with an unique plan that will enable "Archer" to infiltrate the terrorist gang and bring them all to justice whilst saving the city of Los Angeles from a grizzly fate. The trick? Well that involves some groundbreaking technology that will change his features from those of his own to those of “Troy”. All he has to do now is master a few of his more nasty character traits and then convince his girlfriend “Sasha” (Gina Gershon) - then he’s home and dry. Meantime, though, the real hoodlum awakens in an hospital bed and before we know it, he has assumed a counter-identity that he knows can not only put the kibosh on “Archer” and his cunning plan, but can enable him to mislead the investigators who are not in on the swap. The one woman who wasn’t read into the plot was “Eve” and so when her ‘husband” turns up as usual, we all know that a game violent and deadly game of cat and mouse is about to ensue. I did like the premise and for a while, with Cage at his most dastardly and then Travolta having a go too, it works quite well. It’s just far too strung out, though, and once serendipity has played a part once too often to help contrive the plot, I found myself losing interest in a story that became increasingly devoid of jeopardy. Moreover, as the story progresses Travolta stops being menacing and starts being hammy whilst Cage’s character strays once too often into the realms of weepy melodrama. The ending(s) take for ever to get us over the finish line, and left me feeling just a bit weary of the repetitiousness of a last twenty minutes that has pyrotechnics galore but little by way of doubt.

misubisu

8/10

7/25/2026

**Score: 9/10 — A Glorious, Unhinged Masterpiece of Maximum Overacting** Some films are subtle. Some films are restrained. And then there is *Face/Off* a film that takes the concept of "going for it" and launches it into orbit with a rocket strapped to its back. Directed by the inimitable John Woo, this is a movie that operates on a wavelength entirely its own: a gloriously unhinged, operatically ridiculous, and utterly mesmerising symphony of overacting, bullet ballets, and preposterous plotting. It earns a massive 9/10 for its sheer audacity, its commitment to the bit, and the undeniable electricity of watching two of Hollywood's most committed performers at the absolute peak of their powers. **The Premise: So Ridiculous It's Genius** The plot is, on paper, absurd: FBI agent Sean Archer (John Travolta) undergoes a radical facial transplant surgery to assume the identity of his arch-nemesis, the terrorist Castor Troy (Nicolas Cage), only for Troy to wake up and assume *his* identity. It's the kind of premise that could only exist in the fever dream of a 90s action movie, and John Woo directs it with absolute, straight-faced sincerity. The result is not just entertaining, it's transcendent. **Travolta and Cage: Overacting and Hamming It Up Like Only They Can** This is the film's beating heart and its greatest achievement. **Travolta and Cage overacting and hamming it up like only they can**. They don't just play their roles; they *attack* them. \- **John Travolta as Sean Archer / Castor Troy:** Travolta gets to play both hero and villain, and he chews the scenery with a relish that is genuinely awe inspiring. As the uptight, grief-stricken Archer, he is intense and brooding. As Castor Troy trapped in Archer's body, he unleashes a wave of gleeful, sadistic chaos—smirking, swaggering, and delivering lines with a devil-may-care energy that is pure, unadulterated joy. He is having the time of his life, and it's infectious. \- **Nicolas Cage as Castor Troy / Sean Archer:** Cage, as always, is operating on a wavelength entirely his own. He takes the absurdity and amplifies it to eleven. As Troy, he is a cackling, golden-gun-wielding, face-touching menace. A villain so theatrical he practically twirls a moustache. As Archer trapped in Troy's body, he dials down the mania and becomes a man of quiet, simmering rage and desperation. The contrast is breathtaking. His performance is a masterclass in controlled chaos. **The Action: Woo at His Peak** The action sequences are spectacular. John Woo's signature style slow-motion, doves, and dual-wielded pistols is on full display. The shootouts are ballets of destruction. The boat chase is a masterclass in practical effects. And the final confrontation is a symphony of blood, sweat, and tears. It's a film that understands the primal thrill of watching two men shoot at each other in increasingly elaborate settings. **Why Not a 10?** It's a film that knows exactly what it is, and for that, it deserves immense credit. But there are moments... rare, fleeting moments, where the sheer weight of the absurdity threatens to topple the entire enterprise. The plot holes are large enough to sail a boat through, and the logic of the facial transplant is never quite explained. But these are minor quibbles in a film that never pretends to be anything other than what it is: a glorious, unapologetic slice of 90s action heaven. **The Verdict** *Face/Off* is a masterpiece. It is a film that understands that cinema is, at its best, a form of heightened reality. It's a movie that asks you to suspend your disbelief, strap in, and enjoy the ride. Travolta and Cage are at the peak of their powers, delivering performances that are so committed they become art. It earns its 9/10 for its sheer audacity, its incredible action, and the undeniable, unshakeable joy of watching two legends go head-to-head in a battle of overacting for the ages. **Watch if:** You love 90s action films, appreciate the art of overacting, or simply want to see two legends have the time of their lives on screen. **Skip if:** You require subtlety, realism, or plots that hold up to scrutiny. This is not for the faint of heart or the overly logical.