Midnight in Paris

misubisu

8/10

11/12/2025

## **Midnight in Paris (2011) Review: A Magical, Melancholy Love Letter - 8/10** *Midnight in Paris* is Woody Allen in his most enchantingly wistful form. It’s a film that operates on a premise of pure, unadulterated fantasy, yet it resonates with a profound and universal truth about nostalgia and the eternal human temptation to view another era as a "golden age." Perfectly directed, it balances whimsy with a sharp, intellectual core, resulting in one of Allen's most beloved and accessible late-career triumphs. ### The Premise: A Portal to the Past Owen Wilson plays Gil, a disillusioned Hollywood screenwriter and aspiring novelist on a trip to Paris with his dismissive fiancée (Rachel McAdams) and her conservative parents. Feeling out of place in his own life, he romanticises the 1920s as the pinnacle of art and culture. Then, the magic happens: at the stroke of midnight, a vintage Peugeot picks him up and transports him to the very era he idolises, where he rubs shoulders with the Fitzgeralds, Hemingway, Picasso, and Gertrude Stein. ### A Perfectly Cast Gil I often find Owen Wilson's performances a little hollow, but this one was rock solid. ** This role is a career-best for him because it harnesses his inherent qualities — the laid-back California cadence, the boyish wonder, the slightly scattered charm and makes them central to the character. He is not trying to be a classic Woody Allen surrogate; he is Gil, a genuine romantic lost in time. His wide-eyed, earnest disbelief is the audience's anchor into the fantasy. We believe his awe when meeting Cole Porter and his desperation to have his novel validated by Gertrude Stein. It's a performance filled with heart and vulnerability, making Gil a truly empathetic guide. ### Strengths and the Missing Points The film's greatest strength is its intoxicating atmosphere. Paris is filmed as a dreamscape, glowing in the day and shimmering with mystery at night. The parade of historical figures is not just a gimmick; it's a witty, lovingly rendered celebration of artistic genius, with Corey Stoll's hilariously blunt Ernest Hemingway and Adrien Brody's scene-stealing Salvador Dalí as particular highlights. So why an **8/10** and not a perfect score? For all its magic, the present day storyline, while intentionally grating to highlight Gil's alienation, can feel a bit one-note and cartoonish compared to the rich tapestry of the past. The ultimate lesson Gil learns — that every era has its own nostalgia — is beautifully simple, but the journey to get there, while delightful, lacks the deeper emotional complexity of Allen's very finest work. ### The Verdict **8/10 - A Charming and Intelligent Escape** *Midnight in Paris* is a cinematic sigh of contentment. It’s a film that understands the dreamer in all of us, offering a witty, beautifully crafted, and wonderfully performed escape. Owen Wilson is the film's secret weapon, his "rock solid" and heartfelt performance making the fantasy feel tangible and the emotional payoff genuinely satisfying. It’s a delightful, intelligent confection that leaves you with a warm glow and a sudden urge to book a trip to Paris.

CinemaSerf

7/10

7/6/2026

"Gil" (Owen Wilson) has made a decent living as an Hollywood script writer when he comes to Paris with his fiancée "Inez" (Rachel McAdams) and her parents - but writers block is poleaxing his first novel. Pretty immediately he falls in love with the city, but she doesn't really share his romantic attachment to the place and is certainly uninterested in them living there after their forthcoming wedding. She goes out for a night on the tiles with her rather supercillious ex-boyfriend "Paul" (Michael Sheen) and his new gal "Carol" (Nina Ariandra) so he goes for a wander around the place at midnight and that's when he begins to imagine what life would have been like back in the roaring 1920s - when this was a city of enlightenment. He gradually finds himself drawn into a world where he enjoys the café culture with the likes of Cole Porter (Yves Heck), Mr & Mrs F. Scott Fitzgerald (Alison Pill & Tom Hiddleston), Ernest Hemingway (Corey Stoll) and even Gertrude Stein (Kathy Bates) whom he contemplates being the ruthless critic of his hitherto constipated work-in-progress. He begins to regale "Inez" with his tales and she thinks he's got some sort of brain tumour and that he has well and truly lost the plot. Sure, she gets something of the sparkle of the city but she's not in his league as he loses his soul to a place that just oozes people like Picasso and Dali and that provides his ideal utopian location both creatively and spiritually. It's told episodically, so the timelines do advance and the characters change as his imagination ingratiates himself more into their lives (and loves) and that chapterisation allows for some scene-stealing cameo roles from the likes of Bates, Adrien Brody (Dali) and Marion Cotillard who adds enormous richness to the dreamy yet poignant substance of this film. Now obviously they couldn't all have been there at the same time, but it's that poetic licence that stimulates his imagination - and our's too. My flaw? Well Owen Wilson just hasn't quite the clout to pull this off I didn't love the dynamic between himself and McAdams, but in the very grand scheme of things this rises above his character and presents us with something magical for the senses that has been written sparingly and wittily and like they say about the Danube only being blue to people in love, this showcases a city that offers an unfettered location for creatives to thrive.